Artist Bio

Iris Rountree is a sculpture and installation artist based in the Southern Appalachian Mountains. She uses paper as a medium to portray the flora in our natural landscapes and to portray their ephemeral and ever changing nature by creating abstract, organic, whimsical sculptures.

Raised in Western North Carolina, she received her BA in sculpture & ceramics from Warren Wilson College in 2017. She has exhibited across the state of California in galleries such as Tint Gallery and Siy Gallery in San Francisco, Gallery Lulo and Sebastopol Center for the Arts in Sonoma County as well as multiple online exhibitions.

She was featured in Hand Papermaking’s October newsletter in 2023. She is a member of the International Association of Hand Papermakers and Paper Artists (IAPMA). Her work is in multiple private collections. Currently she resides in Western North Carolina with her family.

Artist Statement

My creative work explores ecological changes by using handmade paper, plant materials, and pigments, to portray themes around our shifting world. Whether these shifts are from the seasons passing, flowers blooming, leaves changing, or from natural disasters like floods, fires, or drought, these changes in the natural world and to our landscapes evoke emotions and affect our lives. To be connected with our natural world is to live within these cycles; we adapt to changes brought on by climate change, observe the passing of time, and revel in the repetitions nature provides. From tiny seeds germinating in the spring, to the seeds releasing from a dried plant stalk in the cold of winter, the cycles ebb and flow. We’ve grown apart from some of the natural rhythms with modern conveniences, but if we commit to reconnecting we can still be in relationship with many of these shifts.  

Handpapermaking is the backbone of my creative process. I’m captivated by the fragility and lightness of paper used in sculptural form and have found such experimentation and person-ability to be found in the process of making the paper from which I work. I begin by gathering natural elements or choosing the colors to incorporate into the paper pulp. The paper is made, then cut and rolled into circles in a meditative repetitive process. Flecked with plant material or dyed in muted colors, the circles become a translation of the original natural form. Assembled together on found branches, the circles form sculptures or large scale installations mimicking natural forms such as foliage, coral, snow, bubbles, or cells. A single form on its own sometimes is underwhelming, but assembled alongside many others it becomes something larger and more profound.

CV

Education

2017 - Warren Wilson College, BA in Sculpture & Ceramics, Asheville, NC

Shows

2023 - Retrospective: In a New Light, Tint Gallery, San Francisco

2022 - PULP: Book & Paper Arts, Sebastopol, CA

2022 - Growing Together, Siy Gallery, San Carlos, CA

2022 - Lay Bare, Tint Gallery, San Francisco, CA

2022 - Winter Exhibition, Gallery Lulo, Healdsburg, CA

2021 - Botanical Art & Illustration, Las Laguna Art Gallery, Laguna Beach, CA

2021 - Elements of Nature, Siy Gallery, San Francisco, CA

2017 - Slip & Pulp, Warren Wilson College Gallery, Asheville, NC

2016 - Wax & Wane, Pop up art show, Swannanoa, NC

2016 - Student Art Show, Warren Wilson College Gallery, Asheville, NC


Courses, Internships, & Grants 

2023 - NC Art Council Artist Support Grant

2022 - Farmette’s School of Papermaking

2019 - Papermaking Workshop, Santa Rosa, CA

2019 - Ceramic Intern, McWhirter Pottery, Burnsville, NC

2018 - Experimental Editions Books & Letterpress, Penland School of Crafts, Spruce Pine, NC

Nominations, Publications, & Private Collections

2023 - ‘Cover Crop’ in private collection in Santa Monica, CA

2022 - ‘Drought 1’ in private collection in San Francisco

2022 - ‘Drought 2’ in private collection in San Francisco, CA

2022 - ‘Zinnias’ in private collection in San Francisco, CA

2022 - ‘July to June’ in private collection in San Francisco, CA

2022 - ‘Pieces of Drought’ in private collection in Santa Rosa, CA

2017 - Windgate Fellowship Nomination

2017 - Auspex Undergrad Research Journal, Cover Art